A Challenge… have we lost touch with:
21st to 24th October 2016.
Woodstoke is a chance to answer, a chance to reply, a chance to converge and tell our stories. This is to be a gathering, focussed on making and wood firing the living clay. For the regeneration of our fibre by providing a meeting place. For experiential learning for participants and guests. We believe it is an essential time for us to reconnect.
Set amongst the rolling hills of the Hauraki District our site is rich with clay, bricks, wood and potential. There is camping and parking for camper-vans / caravans on site and we’ll be providing toilets and washing facilities.
Our first list of guest potter / demonstrators is now listed below. As we confirm more guests we'll be adding to the list - so keep an eye out over the next couple of weeks.
For more details and a programme of activities, please visit the INFORMATION page.
These guest potters will lead us in creating an event that challenges, energises, bewilders and creates.
Taught by the best potters in Australia, Yuri has developed an easy making style that comes alive from the firing of his Anagama kiln, he also has a dangerous gleam to his eye when building kilns. Yuri was also the winner of the 2015 ANU School of Art Sculpture Workshop Residency Prize. Yuri is a woodfirer based at Barrabooka Pottery in the hills behind Tanja, NSW. His ash-glazed works are made from clays sourced on his property and elsewhere and he is known for his prize-winning fire sculptures.
I am interested in creating work that expresses my exploration of form and line. These vessels become my visual vocabulary for communicating my on-going experience with “pushing clay”. My pieces are sculptural not intended to be functional; they are expressive, not practical. My emotional, intuitive and physical reaction to handling and manipulating the clay provides the pieces with passion, power, animation, and elasticity. I believe in expressing movement and gesture by using clay to give the work integrity.
Born on this side of the ditch, Chester now resides near Gulgong in Australia. He has honed his methods of making and firing to produce a synthesis that is truly sensational and his generosity in sharing information during demonstrations is legendary.
Award winning Ceramic Artist Fiona Tunnicliffe has been working as a full time potter for 25 years. Her beautiful pieces almost always use animal forms as a starting point. Each of Fiona’s rather special formed ceramic animals seems to exude its own unique personality enhanced by the textures, patterns, text, and relief work to its coat and shape. Her work is collected and treasured widely!
Fiona divides her time between making and selling in Galleries from Whangarei to Dunedin, and teaching ceramic art. She is also a regular contributor to the anagama kiln firings held at Maureen Allison’s workshop.
This Tasman based potter is one that can open your eyes to the mesmerising nature of wood firing. Drawing inspiration from nature and the chaotic, Daryl will impart his enthusiasm for the raw material of clay and its infinite potential.
I love working with clay! It is a path of self discovery and adventure. For 35 years the discipline of clay challenges and nurtures, enriches and transforms my life, taking me to places inside and outside of myself that I never could have imagined. Whether it be pots or sculpture, bronze or ceramic wall reliefs, the forms I make are a tangible reflection and expression of this evolving inner self.
I have learned that art is a way of perceiving the world, of living with a sense of mystery, curiosity and passion. Living out of that creative place in ourselves we are most alive, connected and fulfilled. Life is good!
Arrived in New Zealand in 1973 on a working holiday. In 1976 he established his own studio and a wood firing kiln in Mahana, Nelson. His early influences were the studio potters but he soon found the need to create his own aesthetic using coloured slips and alternate firing techniques. His passion was and still is the creation of the shape, the throwing or handbuilding of the piece.